Rpg Map Maker Region By Mike Rpg Map Maker For Mac
RPG Map Maker HD is the advanced version of RPG Map Maker, the first role playing games map making application for the iPhone. Building up on the feature set of its lighter sibling app, this version adds layers, with the possibility of moving items from a layer to another, change the layer transparency and move a layer in front of another. Also, freehand and line drawing layers have been introduced. You are on the train and just had an idea for the perfect encounter for your party? You need a quick and dirty map for that small dungeon your players really insist on inspecting? You simply want to sketch maps looking for adventure ideas?
RPG Map Maker HD is your tool!
Baldur's Gate Mike Rpg
Boxart Gregory Andrew Stone Oliver Stone George Oliver Stone Joan Stone Recreational Software Designs Initial release 1991; 27 years ago ( 1991), Game-Maker (aka RSD Game-Maker) is an -based suite of game design tools, accompanied by demonstration games, produced between 1991 and 1995 by the, based Recreational Software Designs and sold through direct mail in the US by KD Software. Game-Maker also was sold under various names by licensed distributors in the UK, Korea, and other territories including Captain GameMaker (Screen Entertainment, UK) and Create Your Own Games With GameMaker! (Microforum, Canada). Game-Maker is notable as one of the first complete game design packages for DOS-based PCs, for its fully mouse-driven graphical interface, and for its early support for graphics, sound, and full-screen four-way scrolling. Primary distribution for Game-Maker was through advertisements in the back of PC and game magazines such as. At release Game-Maker was priced at $89, and shipped on 5.25' diskette with seven or eight demonstration or tutorial games.
Later releases were less expensive, and shipped on with dozens of sample games and a large selection of extra tools and resources. After some consultation with the user base, on July 12, 2014 original coder Andy Stone released the Game-Maker 3.0 on, under the.
Pixel Games, Tile Ideas, Pixel Art, Isometric Map, Rpg Maker Vx, Game Assets, Pixel Pattern, Tiles, Deviantart. Game Assets Rpg Maker Pixel Art Art Tutorials Art Lessons. Lib's Bits - RPG Maker MV Resources - RPG Maker Forums. Oct 7, 2014 - Three Minds Software is raising funds for Other World Mapper. As RPG gamers and amateur story writers, we often need maps to. Basic 'drawing' tools: landmass, water body, river, road, region and more! If we reach this stretch goal we will work on the Mac and Linux versions of Other World Mapper. RPG Map Maker HD is the advanced version of RPG Map Maker, the first role playing games map making application for the iPhone. Building up on the feature set of its lighter sibling app, this version adds layers, with the possibility of moving items from a layer to another, change the layer transparency and move a layer in front of another.
Contents. Construction Game-Maker consists of a text-mode wrapper, tying together a collection of design tools. The tools produce proprietary resources that are compiled together and parsed with RSD's custom XFERPLAY game engine.
Andrew Stone's Block Designer 3.00 Game-Maker developed from a series of modification tools for a top-down competitive maze game called Labyrinth, designed by Andrew Stone in January 1991. Although the engine is different, Labyrinth shared code and file formats with the later XFERPLAY engine and graphical resources with several later first-party games. Graphically it was 320x200 8-bit (like Game-Maker).
It split the screen in half, putting two players’ top-down views of the maze side-by-side on the screen. Every time someone trod over the grass, it would droop and get a little more brown until after about ten times there was a clearly defined brown path. To make all these subtle grass changes, I needed a block editor. So, BLOCEDIT was born. Andrew Stone, Gamasutra, 'The Making and Unmaking of a Game-Maker Maker' Whereas Labyrinth grew out of Andrew's interest in and, one of Andrew's first goals was to expand his tools and engine to permit.
'In fact, making something like was sort of the bar I set myself for version 1.0. Which is why I added the secret passage features, and gravity, early on.' In July 1991 Andrew and his father G. Oliver Stone incorporated Recreational Software Designs to pursue Game-Maker as a business venture—with Oliver as president and Andrew as CEO. Through Oliver's business acumen RSD made deals with KD Software and GameLynk to distribute Game-Maker and host its online community.
Through 1992-1994 RSD placed a series of full-sized ads (and some smaller sizes) in major computer magazines, and in 1994 they sub-leased a booth at the in Chicago. At the time of Game-Maker's release the software was revolutionary both in concept and technology; although there were earlier, Game-Maker was the first general-purpose graphical GCS for the dominant DOS/Windows-based PC.
Throughout the design process Andrew was adamant that Game-Maker's tools remain entirely visual, involving absolutely no programming from the end user. Its engine also supported full-screen four-way VGA scrolling, and later full-screen double buffered redraws, well before these were the standard. Several updates followed over the next three years, adding Sound Blaster support, improving the design interface, and refining the game engine—yet many features kept being pushed back. Although his brother Oliver Jr. Spent a summer on the project, and wrote the code for the sound and Monster editor, Andrew handled the bulk of the coding and updates — a task that, thanks to the lack of standardized drivers or libraries at that time, became all-encompassing and difficult to maintain. Over the software's lifetime Andrew found himself so 'waylaid by video driver and engine problems' that he was unable to focus as much as he wanted on adding and refining features.
By the mid-1990s the advent of 3D video cards and the introduction of Windows 95 meant that to keep up with the marketplace Game-Maker would need great changes both in concept and in coding. Furthermore the continued lack of standardization meant a large investment in coding ever more complicated drivers and libraries—work that would be thrown away as soon as standards were established. Despite plans for a radical professional-quality update, RSD ceased support for Game-Maker around. In a 2011 interview Andrew mused about Game-Maker, stating that by his own principles he was surprised he hadn't released the source code years earlier. Yeah, you know I should have OSSed a long time ago as I am a proponent of open source.
At first there was the possibility that I might jump back into it. And later the fear that whatever startup company I worked for at the time would try to claim it. But upon mature reflection I think that is impossible. Game-Maker 3.0, CD-ROM edition. Game-Maker 1.0: Includes one 1.44 MB microfloppy disk containing the full set of RSD tools plus the games Sample, Terrain, Houses, Animation, Pipemare, Nebula, and Penguin Pete.
Rpg Map Maker Region By Mike Rpg Map Maker For Mac Pro
Also included, beginning in version 1.04, is a separate diskette containing the GameLynk game Barracuda: Secret Mission 1. All 1.X iterations of Game-Maker include a square-bound 75-page user manual and several leaflets about the use of the software. Later versions (1.04, 1.05) also include leaflets explaining recent changes and updating the user manual. Game-Maker 2.0: Includes both 1.2 MB floppy and 1.44 MB microfloppy disks containing the full set of RSD tools plus the games Tutor (a replacement for Animation), Sample, Terrain, Houses, Pipemare, Nebula, and Penguin Pete. Both versions 2.0 and 2.02 include a square-bound 94-page user manual and several leaflets about the use of the software. The latter version also includes a leaflet explaining recent changes and updating the user manual.
Game-Maker 3.0, floppy: A three-microfloppy (1.44 MB) package contains the full set of RSD tools, the in-house developed games Tutor, Sample, and Nebula, and three licensed games developed by the independent designer A-J Games: Zark, The Patchwork Heart, and Peach the Lobster. Both packages of version 3.0 include a square-bound 104-page user manual and several leaflets about the use of the software. Game-Maker 3.0, CD-ROM: this package includes the contents of the floppy package, plus first-party games Pipemare, Penguin Pete, Houses, and Terrain; A-J Games productions Glubada Pond, Crullo: Adventures of a Donut, Cireneg's Rings, and Linear Volume; two games by Sheldon Chase of KD Software, Woman Warrior and the Outer Limits and Woman Warrior and the Attack from Below; and the GameLynk game Barracuda: Secret Mission 1. In addition, the CD-ROM includes a large collection of images, sounds, music, animations, and gameware elements, and a Shareware directory holding demo versions of fourteen games by various independent designers. Create Your Own Games With GameMaker!: In 1995, the Canadian company Microforum rebranded and repackaged the CD-ROM version of Game-Maker 3.0 for release to a worldwide market. This version includes a spiral-bound user manual.
The disc contents are the same as the original RSD release. Game distribution During Game-Maker's lifetime, users could distribute their games through the Gamelynk (aka Night Owl, later Frontline) in, or through the Game-Maker Exchange program — an infrequent mailing to registered users, compiling submitted games to a floppy disc with occasional commentary from RSD president G. Oliver Stone. Many user-generated games also wound up on public bulletin boards, and thereby found wide distribution and eventual salvation on shovelware CD-ROMS. RSD's initial terms of use were rather restrictive. To quote from a pamphlet titled 'Distributing Your GAME-MAKER Games' and dated May 9, 1993: Under your Game-Maker license agreement, you may distribute any game you create to up to ten people and your gameware to any number of people.
You may not distribute the Game-Maker design tools, but you may include Game-Maker's gameware (picture blocks, monsters, characters, sounds, etc) along with your games or gameware. Commercial distribution of games is not covered by your license agreement and such distribution requires a commercial distribution license, since games contain valuable software owned by Recreational Software Designs. The pamphlet goes on to detail standalone games, promotional games, and shareware and BBS distribution. For standalone games (which is to say, games that are meant as an end unto themselves), RSD asks a royalty of $500 for the first 200 games sold or distributed, then a small fee for each subsequent copy. The higher the number, the smaller the fee.
For promotional software (distributed as part of a promotional kit), RSD asks $1000 for the first 1000 copies and then smaller fees for every copy up to 25,000. Beyond that, RSD asks no additional charge.
Shareware and BBS distribution is a curious case. Although RSD prohibits free distribution, the license does allow a loophole for shareware so long as the author requests the user to pay a minimum registration or license fee of $5.00, then makes a quarterly payment of 10% of all collected fees.
These restrictions were rarely enforced; as a June 15, 1993 pamphlet titled 'Distributing Games' suggests, freeware games were common and tolerated despite the license agreement: To distribute a game via Shareware, simply place a text file statement along with your files letting the user know your terms. You can find example statements in any Shareware product.
Free download music for mac. For Freeware, include a statement that says that you own the product but will allow others to distribute it freely, or even that users can incorporate your work into their games. Open format Despite the limitations on distribution, Game-Maker's design format is notoriously open. From its outset Game-Maker was designed as a collaborative tool, with the intent that users not only trade design tips but pick apart and freely sample from each other's work. A series of full-page magazine ads, run in the early 1990s, spends nearly as many words selling Game-Maker as a modification tool, along the lines of Galoob's accessory, as it does describing the software's design features, promising that users can 'modify and enhance Game-Maker games'. 'Is a game too easy? Increase the speed. Add danger, sounds and monsters.
Dress up the graphics, add animation. Add new levels.' This 'remix' philosophy stems partly from the Stones' own collaborative family dynamic, and — as with the insistence on an entirely visual, code-free interface — partly from concern about overwhelming the end user. 'We realized that it would be pretty hard for a ten to twelve-year-old to do it all himself so there were practical considerations.' To that end Game-Maker games are distributed as an unprotected bundle of resource files, both specialized (i.e., Game-Maker's unique graphic and animation formats) and common (including CompuServe.GIF, Creative.VOC, Autodesk.FLI, and ASCII text files ), making it a simple task to identify and edit most Game-Maker games. The decision was a defiant one on the part of programmer G.
Andrew Stone, who argued that any user concerned about protecting, rather than sharing, his work should take on that burden himself. I deliberately (in fact I remember an argument about it) made no effort to protect a game's content - anyone could load up anyone else's game in the editors. My feeling was that if you were sophisticated enough to build a game that really needed protection, you could wrap it in your own encrypted.zip file or something. Andrew Stone, Effluvia of a Scattered Mind, 'RSD GameMaker' As it happens, one of the earliest games distributed with Game-Maker was GameLynk's Barracuda: Secret Mission 1, a user-derived project that is most distinguished by its presentation whereby its file structure is hidden by compression and the portable player is tacked onto the Game-Maker executable to provide intro and exit animations. Limitations Through its history several aspects of Game-Maker's engine, design interface, and feature set have experienced scrutiny from its user base. One of Game-Maker's more notorious qualities is its exclusive use of Creative's proprietary.VOC and sound and music formats, and its absence of integrated design tools for those formats (or recommendations as to external tools), leaving users to work out their own solutions — or often not. The use of.CMF was a last-minute decision; Andy had been working on a -style tracker format, but development was indefinitely delayed.
As a temporary measure his brother Ollie plugged in code provided. I got waylaid by video driver and XFERPLAY game engine problems. The music was going to be completely dropped, but then my brother pulled this free code up and made it work! Oliver Stone's Monster Maker 3.00 Monsters are a particular point of contention. Compared to characters, monsters have only limited interaction with their environments. For instance, monsters are not affected by gravity or other physics—and have no contextual AI to speak of, aside from a limited awareness of the character.
Monsters also lack variable counters, such as hit points. Instead each monster (including, character shots, and some kinds of power-up) has a fixed 'power level' between 0 and 255, and a collision between unequal monsters is resolved by destroying the weaker monster. The engine therefore does not lend itself to graduated damage (i.e., sword 1 does twice the damage as sword 2).
Rather, collisions are all binary; either a weapon works, or it doesn't. Workarounds For advanced users, many of the engine's limitations have workarounds. One can approximate gravity's effect on a monster by defining a heavy diagonal path; the monster will move horizontally until it reaches a ledge, at which point it will fall until it hits the ground again. Similarly, although monsters lack hit counters, the user can create chains of identical (or successively injured-looking) monsters to approximate the same effect. In later years users have found ways to subvert or play along with the system's properties to achieve effects, mechanisms, and even genres unaccounted for in the engine's basic features—including extensive in-engine, boss sequences, -style sprite scalers, style battles, shooting galleries, and destructible terrain. Influence As one of the first complete game design suites for IBM-based PCs, and the only one devoted to action games during the early '90s Shareware boom, Game-Maker 'anticipated the thriving indie game community we have today with countless game engines, web sites and companies.' Several of its users went on to later note in indie or commercial game development, such as renowned author cly5m, designer Mark Hadley, programmer Roland Ludlam, background artist Justin Meisse, and associate producer James W.
Some games produced with RSD's tools, such as Jeremy LaMar's Blinky series, have become cult favorites. Others, like A-J's Quest, Die Blarney!, and Matt Bell's Paper Airplane, reached a wide circulation during the 1990s Shareware boom, appearing on many CD compilations. Game-Maker seems also to have made an impression in the, with references in various academic papers, coverage in the largest game magazine in the region, and dissection by the local. Notable games. Oliver Stone's Pipemare. A-J's Quest (A-J Games, 1992) — A widely distributed side-scrolling platformer that was also incorporated into an early slideshow demo of Game-Maker. Barracuda (GameLynk, 1992) — An action simulation game, involving deep sea diving.
The shareware episode, distributed on a separate floppy disk with early versions of Game-Maker, incorporates external functions such as auto-compression and the portable player, into the game's presentation. Blinky 2 (Jeremy LaMar, 1994) — A top-down action game inspired. Through its distribution on Kids, Blinky 2 and its sequel achieved a small cult status.
Blinky 3 (Jeremy LaMar, 1995) — A side-scrolling platformer featuring multiple characters and a branching level structure. Of the two distributed Blinky games, Blinky 3 has received the bulk of attention. Nebula (RSD, 1991) — Game-Maker programmer Andy Stone's -influenced action-adventure platformer, that was always first to demonstrate any new features to the software. Parsec Man 3D (Mark Hadley, 1994) — A minimalist free-floating/platform shooter by designer Mark Hadley, that uses red/cyan 3D glasses to add both atmosphere and functional design.
Parsec Man was also distributed on the Game-Maker 3.0 CD-ROM. Paper Airplane (Matt Bell, 1993) — A side-scrolling strategic action game with puzzle-solving elements; perhaps the most widely distributed Game-Maker game. Peach the Lobster (A-J Games, 1994) — A influenced side-scrolling platformer that was incorporated into a late-era slideshow demo of Game-Maker. Pipemare (RSD, 1991) — G. Oliver Stone's top-down action maze game, which provides much of the iconography for the Game-Maker software and packaging. Sample (RSD, 1991) — Joan Stone's simple 3/4 view adventure game that formed the basis for dozens of user-created games. References.
The Personal Computer Museum. Archived from on 26 April 2012.
Retrieved 9 May 2013. Andrew Stone,. DIYGamer, 1 March 2014 at the. ^ Computer Gaming World,. DIYGamer,. ^ G. Andrew Stone,.
^ Gamasutra,. ^ Gamasutra,. New Hampshire Department of State,. ^ G. Andrew Stone,. ^ DIYGamer,.
^ DIYGamer,. ^ Sylvain Martin,. ^ Gamasutra,. DIYGamer,. Mike Perrucci,. ^ Alan Caudel,.
^ Gamasutra,. A-J Games,. autofish.net,. insert credit,. Gamasutra,. MobyGames,. MobyGames,.
^ DIYGamer,. Mike Wiering,.
Mike Rpg Center
'Game-Maker review'. Power Unlimited, March 1994. Bilou HomeBrew's Blog,. MobyGames,. MobyGames,. MobyGames,. ^ DIYGamer,.
DIYGamer,. MobyGames,. DIYGamer,. MobyGames,. MobyGames,. Gamasutra, External links. Wiki.